b. 1616, Cordoba, d. 1668, Cordoba Spanish painter and draughtsman. He studied first with his father, Agust?n del Castillo (d July 1631), a painter also known for his drawings, and in November 1631 began a three-year apprenticeship with Ignacio de Aedo Calderen, a painter of religious figures ( pintor de imaginera). From 1635 to 1638 Castillo was also known as painter and pintor de imaginera, and by December 1638  Related Paintings of CASTILLO, Antonio del :. | Boats on the shore | Bertrand with the Sword of the Constable of France | Portrait of a Man | Study of a Head | Efter snestorm, Lillegaten Roros |
Related Artists:
John Gould
1804 - 1881. (Born Sept. 14, 1804, Lyme Regis, Dorsetshire, England. Died Feb. 3, 1881, London) was an English ornithologist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" was pivotal in the inception of Darwin's theory of evolution by natural selection, though they are barely mentioned in Charles Darwin's book, On the Origin of Species.Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy and in 1824 he set himself up in business in London as a taxidermist,
Palma il Vecchio
(c. 1480 - July 1528), born Jacopo Palma or known as Jacopo Negretti, was an Italian painter of the Venetian school born at Serina Alta near Bergamo. He is called Palma Vecchio in English ("Old Palma" - in Italian Palma il Vecchio) to distinguish him from Palma Giovane, his great-nephew. When Palma arrived in Venice early in the 16th century, he reputedly was a companion and competitor of Lorenzo Lotto, and to some extent a pupil of Titian. He may also have taught Bonifazio Pitati and influenced Giovanni Busi. Palma's earlier works betray the influence of the Bellini.
Abraham Janssens
van Nuyssen (ca. 1567/1576 - 1632) was a Flemish Baroque painter. He was born at Antwerp, in a year variously reported between 1567 and 1576. He studied under Jan Snellinck, was a master in 1602, and in 1607 was dean of the master-painters. He died in the city of his birth. Till the appearance of Rubens he was considered perhaps the best historical painter of his time. The styles of the two artists are not unalike. In correctness of drawing Janssens excelled his great contemporary; in bold composition and in treatment of the nude he equalled him; but in faculty of color and in general freedom of disposition and touch he fell far short. A master of chiaroscuro, he gratified his taste for strong contrasts of light and shade in his torchlights and similar effects. Good examples of this master are to be seen in the Antwerp museum and the Vienna gallery. The stories of his jealousy of Rubens and of his dissolute life are quite unfounded. His students include Gerard Seghers and Theodoor Rombouts.